SEAN SCULLY:
VISCERAL GEOMETRY

 

In contrast to the sharp linearity of Final Grey 2/3 of 1974 currently on view, the most recently executed works of Sean Scully at once sustain and renew the artist’s effusive and lyrical portrayals of geometry since 1980. The surfaces and lines of Scully’s pictorial fields manifest arresting instances of the expressive, gestural and highly painterly that nonetheless forge orderly, architectonic configurations.